I began at Digital Domain as the industry shifted from physical effects to pixels, a pivotal moment that shaped my approach to innovation. Over two decades, I've built a career navigating the space between established practices and emerging possibilities.

My path reflects deliberate evolution across creative and business leadership. I directed Emmy-winning title sequences for Game of Thrones and visual narratives for Errol Morris' Tabloid, establishing a foundation in premium storytelling. Years in advertising taught me to merge design with live-action, creating campaigns where commercial goals and cinematic craft reinforce each other.

Transitioning to the business side, I managed film funds that delivered Luce to Sundance and rescued Rock Dog an animated featurefrom collapse. These experiences proved that creative vision and financial discipline work best together. At Hexagram, I led teams building interactive experiences that blur traditional media boundaries.

Currently, I'm producing SAMO Lives, a Basquiat biopic for NEON, while building a platform in spatial computing that reimagines creative collaboration in content production.

What connects these roles isn't just pushing technology forward—it's recognizing when innovation enables genuine human impact. My edge comes from translating between worlds: creative vision and technical execution.